Visit Alice’s Adventures in Wonderland on Saturday, April 25, between 10 a.m. and 5 p.m. and luxuriate in activities that are free the young and young in mind. You are able to take part in writing activities with teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program or build relationships Lewis Carroll–inspired math activities with local math literacy organization Math Happens. University of Texas at Austin museum theater students will lead visitors through the galleries. Additional activities include docent-led exhibition tours and story times within the theater. Family days are generously sustained by a grant from the Austin Community Foundation, with in-kind support given by Terra Toys.
Below is a detailed schedule:
Teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program will lead writing activities at the top the hour from 10 a.m. through 4 p.m.
Join a tour that is docent-led of exhibition at noon, 2 p.m., and 4 p.m.
Enjoy story time into the theater at 1:15 p.m. and 3:15 p.m.
Follow University of Texas at Austin museum theater students through the galleries between 10 a.m. and noon.
Complete Lewis Carroll–inspired math activities with Math Happens while you tour the galleries.
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Before and After: “Alice’s Adventures in Wonderland” Movie Jecktors
The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The movie strips portray two of the most memorable parts of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35? strips of translucent paper. The strips are rolled onto wooden dowels and kept in colorfully printed little boxes. The Movie Jecktors might have been used in combination with a toy film projector to produce a animation that is simple.
The Ransom Center’s Movie Jecktors required conservation before they could be safely displayed in the galleries. Both the wooden dowel while the storage box, that will be made of wood pulp cardboard, had a acid content that is high. An acidic environment is harmful to paper. The Movie Jecktors had become brittle and discolored, and there have been many tears and losses towards the paper. The movie strips had been repaired in past times with pressure-sensitive tapes (the tape that is common all use to wrap gifts). These tapes will never be right for repairing paper because they deteriorate and often darken over time and are also difficult to remove once in place that we hope to preserve.
Given that Ransom Center’s paper conservator, I removed the tapes using a tool that is heated reduced the residual adhesive using a crepe eraser. I mended the tears and filled the losses using Japanese paper and wheat starch paste. The japanese paper was pre-toned with acrylic paint to allow these additions to blend with the original paper for the fills. Areas of ink loss are not recreated.
People to the exhibition is able to see the certain aspects of the filmstrips which were damaged, but those areas are now actually stabilized and less distracting. This sort of treatment reflects the practice of conservation to preserve, not “restore,” the object’s appearance that is original. Libraries, archives, and museums today often choose the conservation approach as it allows researchers along with other visitors a far better comprehension of the object’s history, including damages that occurred, which could talk to the materials utilized in the object’s creation.
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Please click on thumbnails to enlarge images.
Easter weekend hours
The Ransom Center will likely to be open throughout Easter weekend, including on Friday, April 3, from 10 a.m. to 5 p.m, as well as on Saturday and Sunday from noon to 5 p.m.
Free docent-led gallery tours occur daily at noon and Saturdays and Sundays at 2 p.m. No reservations are expected.
Admission is free. Your donation will offer the Ransom Center’s exhibitions and programs that are public. Parking information and a map are available online.
Please also be conscious that the Ransom Center’s Reading and Viewing Room is open from 9 a.m. to 5 p.m. on Saturday, April 4.
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John Crowley, whose archive resides at the Ransom Center, is an author that is american of, science fiction, and mainstream fiction. He published his novel that is first Deep, in 1975, along with his 14th number of fiction, Lord Byron’s Novel: The Evening Land, in 2005. He has got taught creative writing at Yale University since 1993. A particular 25 th -anniversary edition of his novel Little, Big should be published this spring. Below, he shares how Lewis Carroll’s classic Alice’s Adventures in Wonderland influenced his or her own work.
A critical (best sense) reader of my work once wrote an entire essay about allusions to and quotes from Lewis Carroll’s Alice’s Adventures in Wonderland books in a novel of mine called Little, Big—a very Alice sort of title in the first place. A few of the quotes and allusions, while certainly there, were unconscious; the turns of phrase and paradoxes and names in those books are so ingrained they simply form part of my vocabulary in me that. I first heard them read aloud: my older sister read them to me once I was about eight yrs . old. I don’t remember my reaction to Alice in Wonderland—except for absorbing it wholly—because for many books read or heard at certain moments in childhood, there’s absolutely no first reading: such books go into the mind and soul as though they had always been there. I really is evolutionwriters legal do remember my response to Through the Looking Glass: i discovered it unsettlingly weird, dark, dreamlike (it is in fact the greatest dream-book ever written). The shop in which the shopkeeper becomes a sheep, then dissolves into a pond with Alice rowing in addition to sheep when you look at the stern knitting (!)—it wasn’t scary, however it was eerie I was then becoming a connoisseur because it so exactly replicated the movements of places and things and people in my own dreams, of which. How did this written book know about such things?
Another profound connection I have with Alice I only discovered—in delight—some years ago in (of all of the places) the Wall Street Journal. In a write-up about odd cognitive and sensory disorders, it described “Alice in Wonderland syndrome:” “Named after Lewis Carroll’s famous novel, this neurological condition makes objects (including one’s own parts of the body) seem smaller, larger, closer or higher distant than they are really. It’s more common in childhood, often at the start of sleep, and could disappear by adulthood…”
We have attempted to describe this syndrome to people for a long time, and do not once met anyone who recognized it from my descriptions. In my opinion it is more odd a sense than this, and more ambivalent: personally i think (or felt, as a child, almost never any longer) as if my hands and feet are vast amounts of miles distant from my head and heart, but in the time that is same am enormously, infinitely large, and thus those parts come in the same spatial reference to myself as ever, as well as monstrously closer. It had been awesome into the sense that is strict not scary or horrid, uncomfortable but also intriguing. I wonder if Carroll (Dodgson, rather) had this syndrome. I’ve thought of including it on my resume: “John Crowley was created in the appropriately town that is liminal of Isle, Maine, so that as a kid suffered from or delighted in Alice in Wonderland syndrome.”